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Tak, Roskilde Tuesday, August 7, 2012 Linkoban: Super Into On It (Super Billion) "Your time on earth is precious/Let's go fast and not go slow/Yourtime on earth is precious/Let's go high and not go low." Prettysensible as excited statements of musical purpose go, and we can't gettoo many of them these days. Because this Vietnamese-ChineseCopenhagener has plenty of spritz rhythmically and personally, she andher band's EP goes fast, four songs in 16 minutes, and aimshigh. Displaying more flow in English than many American-bornAnglophones, she's always on top of the jingly M.I.A. style nowdesignated grime by young people who believe pop electrohop stands inperpetual need of reclassification so they can own it. She's alwaysbeaty, always catchy, always cheeky. Not as deep as M.I.A.,granted. But not as foolish, either. A MINUS
A Real Mother Fuyer Tuesday, August 14, 2012 Ma Rainey: Heroes of the Blues: The Very Best of Ma Rainey (Shout Factory '03) Because she recorded for the famously cheapjack Paramount label,connecting with the woman that label dubbed "The Mother of the Blues"can be tough--cleaned up though they were, many vinyl-era reissuessound like she's singing behind a closed door. But specialistsgenerally single out Yazoo's Ma Rainey's Black Bottom vinyl asa significant improvement, the CD version improves on that, and thismuch later collection improves on the Yazoo. This is easy to tellbecause five of Yazoo's 14 selections are also among Shout! Factory's16, including the actively catchy warhorse "Oh Papa Blues." Just oneexample of Rainey's commitment to the Southern tent-show circuit,where she thrived for two decades before she began recording at 37, isher transformation of the lines Bessie Smith rendered as thecopyrighted but unidiomatic "And if you care for me/You will listen tomy plea" into the wilder "I'm almost goin' insane/I'm forever tryin'to call his name." But her peak was the braggadocious "Prove It on MeBlues," where the third verse catches me up every time: "Went out lastnight with a crowd of my friends/They must have been women 'cause Idon't like no men." Because Rainey was muffled in the studio andassigned second-rate songs, she signifies most readily ashistory--black history, women's history, musical history. But becauseshe reveled in a roughness avoided by the showgirls who put theirnames on so much classic blues, and because she felt natural frontingjug bands and ad hoc New Orleans ensembles, the soul, grit, and funshe was full of get closer to the surface with every advance inmastering technology. A MINUS
Getting Down to Cases Tuesday, August 21, 2012 Ry Cooder: Election Special (Nonesuch/Perro Verde) Protest songs are hard to nail even in the moment, and I can't promisethat the three bull's-eyes here will sound as dead on in five years,or one. Cooder's innovation is reapplying the Popular Front mindset tothe messy compromises of electoral politics, and all the must-hearsilluminate the 2012 presidential election rather than merelyreferencing it: "Mutt Romney Blues," where the Republican standardbearer does to his dog precisely what he'll do to us; "Cold ColdFeeling," where a black man in the White House details his blues; andespecially "The 90 and the 9," where the singer explains why he'srepurposing that gospel song about this may be the last time. "Goingto Tampa" slaps on too broad a burlesque, "Guantanamo" wanders offmessage, and others just don't twist the screw tight enough. But Igive him extra credit for both preaching to the converted and doinghis damnedest to rally the holier-than-thou. B PLUS
Songs of Experience and of More Experience Friday, August 24, 2012 Elle Varner: Perfectly Imperfect (RCA) Especially by the standards of r&b divas who share management withLauryn and Alicia, she's funny--referring to her liver as "her" in "OhWhat a Night," requesting an erectile version of the title item in"Refill," bemoaning her looks in a closer she presumably wrote wellbefore the cover shoot. She's disciplined--10 of 11 songs between 3:07and 4:09. She hones her God-given vocal intensity with no recourse tobelting or melisma, and she keeps the grit under control, although thefinal minute of "Damn Good Friends" should have been crooned or evencooed. And with help from an actual-count 18 confederates, shesharpens herself some hooks--by my count, six of the 11 tracks connectinstantly, with the heart songs lagging as usual. Just pray she stickswith her strengths and continues to confederate exactly as much as sheneeds. A MINUS
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Hippys, Dawgs Tuesday, August 27, 2012 Ab-Soul: Control System (Top Dawg download) "I've got 700 dollars from my last show/And I would spend it all onyou," the most suburban of L.A.'s four-man Black Hippyposse/"supergroup" sings haltingly on the tellingly entitled"Empathy," and although initially I was impressed that he knew theword "chattel," in the end that 700 bucks was the clincher--that hecan occasionally make some halfway decent money off his art, and thathe's ready to blow it on love rather than blow or a blow job. Not thathe's above imagining blow jobs like any other healthy youngrapper--cf. "SOPA," which insofar as it's about the Online Piracy Acthas a special place in its trickerating heart for porn sites. He'sjust a gifted kid who likes his weed and his words, which he twistswith palpable delight around sparse synth beats musical enough tolayer on some delight of their own. And then there's the closingtrifecta: his beautiful ideals, his tragic life, and a scabrous BlackHippy remix for the fun of it. A MINUS f9413d35dd